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The dancer ahmad tohari
The dancer ahmad tohari






the dancer ahmad tohari

Finally, she attained legitimacy as Ronggeng, namely in the form of symbolic capital. In economic terms, Srintil earned money from the bukak klambu ritual. The results showed that Srintil’s proposal not only has capabilities for integrated cultural capital, but she also converts it to other capitals such as social capital, so that she can establish relationships with officials from her village to the capital. Therefore, in this study, we use the capital forms of Pierre Bourdieu. The data used for this study were characters’ speech and narration in the novel. There were two research focuses: to analyse the role of cultural capital in the life of Srintil and Srintil’s struggle for reconversion in social, economic, and symbolic capitals to achieve legitimacy. Notohamidjojo Universitas Kristen Satya Wacana Jl. Using the theories of depoliticisation, I argue that the novel is 1) largely supportive of the military regime due to the oppressive situation as well as the author‟s own. The aim of this study is to reveal the process of struggle by Srintil to achieve the legitimacy of a dancer, who only has cultural capital in general. A Comparison of Culture Words Translation Analysis Found in The Dancer, the English Version of Ronggeng Dukuh Paruk by Ahmad Tohari: Ramadani, Aurora Diva: Showing results 1 to 1 of 1 Kontak Perpustakaan O. This struggle is reflected in Ahmad Tohari‟s novel entitled The dancer (2012), which has been largely credited as being critical towards the military regime. This novel describes the practice of conversion of cultural capital ownership as a dancer to attain the ronggeng status. The Dancer, a trilogy of novels, recounts the tumultuous days of Indonesia in the mid 1960s. Ronggeng Dukuh Paruk (1982), one of the novels written by Ahmad Tohari, describes the lush secluded village with its traditional ronggeng culture.








The dancer ahmad tohari